In this trilogy, Japan’s leading electronic composer and visual artist Ryoji Ikeda processes, transcribes, converts, transforms, de/re/meta-constructs, and orchestrates massive scientific data sets to visualise and sonify the different dimensions co-existing in our world, from elementary particles to the universe.
The ‘data-verse’ trilogy will present three variations of this journey from the microscopic, to the human, to the macroscopic, inviting visitors to immerse themselves visually and orally in this vast data universe and experience the massive data flow in which we live.
An artistic journey supported by Audemars Piguet and presented at La Biennale Di Venezia 2019 – Arsenale, for its first chapter.
https://www.audemarspiguet.com/en/
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