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Lighting Research & Design light an awe-inspiring persona

Sarvah Kshema Hospital and Research Foundation (SHRF) located near Saligrama in the state of Karnataka in India, is an advanced centre for yoga, rehabilitation and research where yoga and spirituality are being taught with scientific evidence with the concept of return to nature. Its core principles are based on the teachings of Swami Vivekananda, a monk who introduced ancient Indian philosophies of Hinduism to the Western world and raised interfaith awareness through humanistic and rational teachings. As chief disciple of the 19th-century Indian mystic Ramakrishna, he advocated for service to mankind and yoga as a way of life. As India’s spiritual ambassador at the Parliament of the World’s Religions in Chicago in 1893, he pleaded for a healthy synthesis of religion and science. Swami Vivekananda’s deep spiritual insight, fervid eloquence, brilliant conversation, broad human sympathy, colourful personality, and handsome figure made an irresistible appeal to the many people who came in contact with him. So when a 35-ft. statue of Swami Vivekananda was unveiled on the premises of SHRF, it became a symbolic representative of both his teachings and SHRF.

Tough site conditions required five critical factors to consider while lighting this statue. First, the lighting technique had to be combined with the structural form and materials of the statue. This required careful stratification according to the different luminaire output, beam angles and positions for properly expressing the charm and artistic beauty of the statue, such as illuminating of the different folds of the fabric or adding a layer of brilliance especially to the face. Second, a large statue such as this invariably required more than one luminaire to reveal different parts of the object, but care had to be taken not to cancel out the shadows from one another. The impact of a carefully illuminated statue is often defined by the creative use of shadows; too much brightness tends to bleach out the statue’s details. Third, the central location of the statue was such that it became the centre of attraction for all visitors. This required careful selection and positioning of luminaires so as to avoid glare and unnecessary interference with other activities within the SHRF premises as well as unnecessary shadows on the surrounding buildings. Fourth, side lighting had to avoided as it leads to the bad visual effects that make the sculpture lose its three-dimensionality. If it cannot be avoided, then generally side lighting in angles greater than 50 degrees and less than 60 degrees is most suitable. Fifth, avoiding spill light around and behind the statue. Use of narrow-beam equipment, shields, baffles and lighting from high positions normally helps to reduce this.

Ten different luminaire locations all around the statue were identified using simulation software so as to meet all the above five critical factors for lighting. The Pumice family of 120W LED floodlights from Uniled with appropriate glare control louvres were selected considering their variety of beam angles and tight project budget constraints. Warm colour temperature of 3000K was selected considering the warm-toned beige colour of the statue. The client and visitors have only expressed awe of their experiential journey towards and around the statue, especially during the nighttime. Swami Vivekananda had once quoted, “We are what our thoughts have made us; so take care about what you think. Words are secondary. Thoughts live; they travel far.” Carefully thought through lighting of his statue is another symbolic representative of his teachings.

Project details

Location: Saligrama, Karnataka, India
Client: Sarvah Kshema Hospital & Research Foundation
Architecture: Sajith & Vivek Architects
Lighting design: Lighting Research & Design
Luminaire supply: StudioPlus

Author

Dr. Amardeep M. Dugar

Photographs

Gowtham Raj

Products applied

UNILED Pumice 120W LED

http://lighting-rnd.in

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